Introduction
Some years back, I grew interested haiku. Initially, because these short gems struck me as the perfect match for Twitter—a marriage made in digital heaven, as it were. Besides, how hard could it be to write a seventeen-syllable poem.
As I normally do when my interest alights on something, I read several books on the subject (that this time included Higginson and Harter’s wonderful The Haiku Handbook) and from there proceeded to immerse myself in several well-known haiku masters, such as Bashō, Buson, Issa, Shiki, et al.
Meanwhile, I began trying my hand at these things, initially strictly adhering to the five-seven-five syllable format, which, I soon came to find out (from online self-proclaimed haiku gurus), was quite a crude adaptation of that principle seeing that Japanese syllables do not necessarily correspond to English syllables (which are, by expert reckoning, quite unwieldy by comparison). Also, reading a lot of (published and respected) English language haiku I soon realized that both the five-seven-five and the seventeen-syllable “rules” had long since been abandoned by the better (and more creative) haiku poets.
As a result of seeing things in this particular light, I soon began taking liberties with the five-seven-five rule but for some odd reason the seventeen-English-syllable statute remained on the books, refused to leave, had found a home in me—if for no other reason than that my little haikus (which I soon named Wolfkus for an obvious reason) seemed to percolate to the surface fully grown and just about always in a string of seventeen-syllable creations. And when they did not, say they surfaced as an eighteen-syllable Wolfku, or a sixteen-syllable one, well, then I discovered that when I sand-papered the longer ones into seventeen, or added some air into the shorter ones into seventeen: the meaning seemed clearer, more definite—besides, this was a fun exercise (I love language and its many words and their bendable uses).
Struck by something, an image, a feeling, a thought, before long this seventeen-syllable raft came bopping to the surface (having been let go of by some curious and creative, though shy, deep-sea Wolfku deity). During a morning’s walk by the Pacific, three or four or sometimes five of these Wolfkus might surface, and it was all I could do to remember them all until I returned home to a pen or a keyboard.
Sometimes I did forget them, memory like a sieve these days.
Before not so long, many of these Wolfkus arrived more as aphorisms than true haikus, as little containers of distilled perhaps philosophical reflection. Well, since many of them struck me (the creator, or recipient might be a better word) as both unique and insightful, who was I to call a halt to this quite enjoyable, if curious, phenomenon.
A phenomenon that still flourishes and seems to have no intention to do otherwise, for I rarely return from an hour’s walk without some seventeen-syllable epigram or other.
Seeing, though, that the earth from which these Wolfkus sprung (and still spring) was replete with impressions and sometimes micro-epiphanies, I thought that perhaps it was time to revisit these Wolfkus and examine this fertile soil for what else it might hold. What, indeed, I wondered, gave birth to them, what carried them from darkness to light? And where did they, in turn, carry me? This is what gave birth to the idea of Wolfku Musings—a collection of Wolfkus and the soil that sprung them.
I have published Wolfku Musings, Book One, and will soon publish Book Two, to be followed by Three… Four… et cetera.
Meanwhile, I realized that I really should assemble a sort of archive of those Wolfkus that I have posted online, by now running into the several hundred, and also publish future Wolfkus Archives as I write and post them.
Lately, say over the last many months, I’ve begun to give my Wolfkus titles as well, just for, well, I don’t know why really, just felt right. As I now compile these Wolfkus from oldest to newest, I’ve also added titled to those who never had one.
All this said, here then, the twelfth installment.
Wolfkus 1101 – 1200
— 1101 —
Emptiness
Emptiness is cloaked
in a thousand coats
Here and now
I shed them all
— 1102 —
Discovery
To dis-cover—
illuminate
the empty field
Just be
and perceive
— 1103 —
Shikantaza
By doing nothing
in stillness
we see all illusory
movements
— 1104 —
Deaths
That was so many
deaths ago
So much disrupted
memory ago
So many slammed-shut
prison gates ago
So much ago
ago
— 1105 —
What Is
Whatever is, is—
and I shall sit
still enough
long enough
to see
— 1106 —
Language
On so many levels
in so many layers
I hide in language
— 1107 —
Is-Ness
Whatever is, is
Whatever rises, rises
Whatever fades, fades
— 1108 —
Poetry
Dancing among
metaphors
Frolicking
in language
High as a hawk
— 1109 —
Cul-de-Sac
You cannot think
your way out
of thinking
breathe
your way out
of breathing
— 1110 —
Window
Sitting is now
an open window
on the ineffable
valley
— 1111 —
Illusion
Do we need to know
Illusion’s ins-and-outs
or just the Fact of it?
— 1112 —
Final Gap
“Yeah, sure,”
says Mahayana
“but our Nirvana
goes to eleven.”
— 1113 —
Letting Go
I shed the earth
I shed the stars
I shed the sky
no such thing
am I
— 1114 —
Non-Dual
In silent samadhi
the river of life
runs pure
and undisturbed
— 1115 —
Prison Earth
This planet
is all about
food
protection
procreation
period
— 1116 —
Interest
Surely, interest
is spiritual
Just like hunger
is physical
— 1117 —
Falling
Once you’ve fallen
through all
ages past
You find yourself
in the present
— 1118 —
Altitude
Maintain or gain
altitude
Never lose height
Nor step back
Never fall
— 1119 —
Silent Illumination
Says Hongzhi—
Sit simply
in stillness
and silently
investigate
— 1120 —
Thusness
Equally thus
body and mind
Simply sit
and perceive
them truly
— 1121 —
Zazen
Just sitting means
neither chase
nor resist
It means be
and let be
It means wide-open
and wide-aware
— 1122 —
Dear Guru
Either define
your terms
in unequivocal
language
or shut up
— 1123 —
Words
In meditation
words set
directions
then silently
fall away
— 1124 —
Paths
In sitting
I no longer walk
the trance-path
I simply want
to see
— 1125 —
Stillness
The stiller I sit
the deeper my gaze
the clearer this
ancient view
— 1126 —
Conze
Reading Conze
is like
listening to
an old friend
telling you
things
— 1127 —
Brain
What if the brain
is nothing but
a rechargeable
mind battery?
— 1128 —
Seeing
Methinks: surely
chasing thought
will always get
in the way
of seeing
— 1129 —
River
To make a river
flow upstream
just be the river
and flow
upstream
— 1130 —
Language
Suspended
in stillness
I reach
for language—
for some
word company
— 1131 —
Buddha
Methinks: “Buddha”
is just another word
for knowing
what’s going on
— 1132 —
Falling
Once you have fallen
through all ages past
You find yourself
back in Now
— 1133 —
Emptiness
Methinks that
surely
Emptiness is
a silent
synonym
for All
— 1134 —
Truth
Truth is neither
holy nor mystical
It is simply:
what is, is
— 1135 —
Two
When you know
how Emptiness
like a cell, divided
You know
all things
— 1136 —
Tiger Spirit
I am a restless
tiger spirit
pacing the cage
of Samsara
— 1137 —
Zazen
I zazen to break down
the many walls
between my stillness
and yours
— 1138 —
Natures
Ego-Nature
versus
Buddha-Nature
Lie versus truth
—discern this
— 1139 —
Eternity
Eternity cannot
have a beginning
Forever does not
start
— 1140 —
Selves
Ego-self versus
Universal-self
Slavery versus
Freedom
— 1141 —
Sargasso
I am treading water
in a silent Sargasso
of empty words
— 1142 —
Edge
I’m sitting on
the edge
of ego-mind
feet dangling
in Buddha-mind
— 1143 —
Nivarana
Just let them
all go:
Desire
Aversion
Inertia
Worry
Doubt
— 1144 —
My Path
A distilling and
reconciling of
many teachers
and teachings
— 1145 —
Legerdemain
God’s biggest
problem and trick
was how to make
things appear
to persist
— 1146 —
Humans
All human senses
and feelings are
mind-interpreted
Chemistry
— 1147 —
Expressing
the Inexpressible
I walk and explore
the nebulous edges
of words and their
language
— 1148 —
String Quartets
String Quartets
are Classical Music’s
equivalent of Poetry
— 1149 —
Sequential
There’s no
such thing as
sequential—
that would imply
both past
and future
— 1150 —
Moonlight Rain
In silent samadhi
I transmute again
from dream
to moonlight rain
— 1151 —
With Speed
Have you ever tried
to step on a shadow
before it steps on you?
— 1152 —
Letting Go
The more I let go
the finer things
grow—fading
just like
my passions
— 1153 —
Mountain
I beseeched
a thousand Saints
They bestowed
a thousand Truths
One Mountain
I beseeched
a Willow Tree
It bestowed
a single Truth
No Mountain
— 1154 —
Just Sitting
Each day I roam
my meditative
landscape
by liquid map
of light
— 1155 —
Equanimity
Wholly transparent
No barriers
and no claws
What rises
just glides
— 1156 —
Cage
Seems like
language reifies
and energizes
the bars of my cage
Sometimes I even
think that language
constitutes
the bars of
my cage
— 1157 —
Flowing
Let every notion
and particle
just flow
Never grasp
or resist
— 1158 —
Stillnesses
I am the stillness
within you, and
You are the stillness
within me
— 1159 —
Creation
Before the
very beginning
Brahman’s nose
tingled
and then
Achooooo…
— 1160 —
Fooled
Desire fools you
into believing
you don’t already
have it
— 1161 —
My Universe
My private universe
(thoughts and images)
obscures the eternal
Thus, I shed
its every galaxy
its every sun
its every earth
I shed
its every view
its every particle
its every last trace
Finding air
between somewhere
and nowhere
between someone
and no one
— 1162 —
Our Universe
Our common universe
(forms and sensations)
obscures the eternal
Thus, I shed
its every galaxy
its every star
its every earth
I shed
its every space
its every particle
its every last trace
Airless now
between somewhere
and nowhere
between someone
and no one
— 1163 —
Letting Go
Meditation—
letting go willingly
Death—
letting go at gunpoint
— 1164 —
Distances
There are no
mind distances
but for those
I first conceive
then perceive
There are no
time distances
but for those
I first conceive
then perceive
There are no
heart distances
but for those
I first conceive
then perceive
— 1165 —
Taking Notes
Perceptions note
the world—
We consult
these notes,
not the world—
Itself
— 1166 —
Ransom
Sex kidnaps attention
for ransom
demanding payment
in semen
— 1167 —
AnapanaZazen Magic
Just breathe/Just be
pure thought-free air
—Every particle
—Every instance
(So simple, so hard)
— 1168 —
Ego D(ist)ress
I am weaving
weaving
weaving
thought-strand
woof and warp
the thickest coat
— 1169 —
Reverse Engineering
Pulling Asavas up
by their roots
in essence means
undeciding them
— 1170 —
Silence
So still that
the only sound
is air molecules
finding my
nostrils
— 1171 —
The Still Light
I will still
all coats away
Silence every
chain gone
set free the light
— 1172 —
Discernment
The clearest
truest way
to discern
is to be—
to experience
— 1173 —
Repute
I wonder what
kind of reputation
our Earth holds
with the Cosmos
— 1174 —
Easing
Easing means
relaxing
stilling
Easing means
leaving be
letting go
— 1175 —
Grand Relations
The relationship
between
grandparent
and grandchild
is always grand
— 1176 —
Sloughing
In Zazen I see
the body
as just another
mind-skin
to shed
— 1177 —
Father and Son
He was too
self-occupied
to care
I was too ditto
to notice
— 1178 —
Expedition
Gathering the
Attention Tribe
Heading for
Darkness
Spreading some
Light
— 1179 —
Ego Sword
To still
the internal
landscape
You must let
Ego fall
on its sword
— 1180 —
Too Many Books
Information
overload—
and shedding
excess data
my new Path
— 1181 —
Anapanasati
The simplicity
of air in—air out
Its true
very saving
grace
— 1182 —
Fading
The past and future
mosaic
known as the Self
fades in the present
— 1183 —
Euphemism
Sex is a kind
euphemism
for temporary
insanity
— 1184 —
Geese
This morning—
thousands
and thousands
of Canada Geese
V’ing my skies
— 1185 —
Retort
We know
where you live
he said
That’s okay
I said
I know how
to kill
— 1186 —
Morse
Sounds to me
like the fog horn
says something
very boring
in slow Morse
— 1187 —
Airing (verb)
To air (verb)
air (noun)
means creating
the air that
I perceive
to be
— 1188 —
Beyond
Beyond language—
its constricting
dictionaries and
definitions
Beyond concepts—
their constricting
assumptions
judgments
and opinions
Beyond me/mine—
its constricting
separateness
pseudo loneliness
Beyond stillness—
this softly
constricting
word beyond
past and
future
— 1189 —
Identity
The constantly
assembled
mystical mosaic
known as
The Self
— 1190 —
Conundrum
The past
is gone
The future
not come
The present
unpinpointable
— 1191 —
Peeing a Lot
Seeing too many
men about horses
Too much prostate
too much tea
— 1192 —
Parallels
Images are
to the Spirit
what eyes
and ears
are to
the Body
Emotions are
to the Spirit
what flesh
and bones
are to
the Body
Desires are
to the Spirit
what air
and blood
are to
the Body
Freedom is
to the Spirit
what six feet
under is
to the Body
— 1193 —
Aphorisms
As a rule, most
aphorisms
are shortened
aforementionedisms
— 1194 —
Insanity
What finds a
naked body
beautiful?
Planet-wide
insanity
— 1195 —
Discernment
How do you tell
the genuine from
the perfect fake?
You simply know
— 1196 —
Existential Mystery
The answer to
this mystery:
there is
no mystery—
never was
— 1197 —
Four Truths
Four often forgotten
or ignored truths:
—We all live
on borrowed time
—Human bodies
never last
—Our ego
will expire
—All identities
are lies
— 1198 —
Thoughts
Thoughts rise
as skeletal scenes
that we
flesh out
color
and bring to life
— 1199 —
Saints
Every now and then
here and there
planetary ignorance
springs leaks
— 1200 —
Attention
Breathing
I hone my
attention
sharp enough
to dissect
molecules
Sitting
I hone my
attention
well enough
to cut through
Samsara
— End —